Sakapfèt – Sakapdi
Anba Lanmè
- février 21, 2024
- Publié par : Reginald Bailly
- Catégorie : Dans Rejwisans
Anba Lanmè · So Anne,Anba Lanmè · So An,mizik vodou,mizik vodou ayisyen,mizik vodou ginen,ansyen mizik vodou,vodou music benin,
musique Vodou benin,bel mizik vodou,bon mizik vodou,pi bel mizik vodou,mizik vodou haitien,haitian vodou music,tout mizik vodou yo,video mizik vodou,mizik rasin vodou,vodou haitien so annee,vodou haitien so anne,video mizik vodou,video vodou haitien,video vodou ayisyen,video music vodou,mizik vodou haitien,mizik rasin ayisyen,mizik rasin haiti
Vodou teaches the existence of a transcendent creator divinity, Bondye, under whom are spirits known as lwa. Typically deriving their names and attributes from traditional West and Central African deities, they are equated with Roman Catholic saints. The lwa divide into different groups, the nanchon (“nations”), most notably the Rada and the Petwo, about whom various myths and stories are told. This theology has been labelled both monotheistic and polytheistic. An initiatory tradition, Vodouists commonly venerate the lwa at an ounfò (temple), run by an oungan (priest) or manbo (priestess). Alternatively, Vodou is also practised within family groups or in secret societies like the Bizango. A central ritual involves practitioners drumming, singing, and dancing to encourage a lwa to possess one of their members and thus communicate with them. Offerings to the lwa, and to spirits of the dead, include fruit, liquor, and sacrificed animals. Several forms of divination are utilized to decipher messages from the lwa. Healing rituals and the preparation of herbal remedies and talismans also play a prominent role.
Anba Lanmè
source